Derek Van Gieson

Every time I turned in an assignment for Fantagraphics, I tried to do something different, challenge myself, see what would happen. Mome 19 saw me turn in the second part of a serial, this time I made sure to amp up the noir moody vibe and watched countless black and white classics and studied the photographers of old that moved me. I was still drawing large and shrinking down to 1 1/2 inch panels. Here’s one of my favorites from a chase scene. 
Like I said earlier, someday i’ll rewrite this stuff to work better.

Every time I turned in an assignment for Fantagraphics, I tried to do something different, challenge myself, see what would happen. Mome 19 saw me turn in the second part of a serial, this time I made sure to amp up the noir moody vibe and watched countless black and white classics and studied the photographers of old that moved me. I was still drawing large and shrinking down to 1 1/2 inch panels. Here’s one of my favorites from a chase scene. 

Like I said earlier, someday i’ll rewrite this stuff to work better.

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